'One mic was pointing down at the floor,' Dorfsman remembered, 'another was not quite on the speaker, another was somewhere else, and it wasn't how I would want to set things up-it was probably just left from the night before, when I'd been preparing things for the next day and had not really finished the setup.' What they heard was exactly what ended up on the record no additional processing or effects were used during the mix. While setting up the guitar amplifier microphones in an effort to get the ' sound' that Knopfler was after, guitar tech Ron Eve, who was in the control room, heard the 'amazing' sound before Dorfsman was finished arranging the mics. Knopfler was using his going through a Laney amplifier.
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